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Download Wieldy Font Family From Type Fleet

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Designed by Crt Mate, Wieldy is a novelty font published by Type Fleet. Download Wieldy Font Family From Type Fleet Rooted in the tradition of good craftsmanship, Wieldy can add detail to every letter and make words rich and full of character. Extended serifs connected with dots make new, beautiful but recognizable forms. These are just some of the design features this artisanal font can offer. Wieldy is created with great skill and high quality – it is the crafted character. Wieldy typeface is based on the ahistorical forms developed by Central European Arts and Crafts movement. It is designed to be used in demanding projects; visual identities, packaging or book headings. The typeface’s x-height is around 72% of its capitals and the serifs are extended and accentuated. The font is enriched with details, ligatures and special characters. Download Wieldy Font Family From Type Fleet Download Now View Gallery

Download Charmetrold Fonts by Bogstav

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Designed by Jakob Fischer, Charmetrold is a novelty font family. This typeface has three styles and was published by Bogstav. Download Charmetrold Fonts by Bogstav Charmetrold means charmer in danish. This font may charm a bird out of a tree ... ever heard an expression like that? Download Charmetrold Fonts by Bogstav Download Now View Gallery

Download Dalek Pinpoint Fonts by K-Type

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Designed by Keith Bates, Dalek Pinpoint is a historical font family. This typeface has four styles and was published by K-Type. Download Dalek Pinpoint Fonts by K-Type DALEK PINPOINT is a clean and precise version of K-Type’s distressed DALEK typeface, a small caps face with overtones of Greek, Phoenician and Runic alphabets, based on Dalek comic book lettering from the 1960s. The package includes Regular and Bold weights, plus an Italic and Bold Italic which are optically corrected obliques. Each font contains a full complement of Latin Extended-A characters. Download Dalek Pinpoint Fonts by K-Type Download Now View Gallery

Download Looking Flowers Fonts by Sudtipos

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Designed by Alejandro Paul, Looking Flowers is a dingbat, novelty and script font family. This typeface has four styles and was published by Sudtipos. Download Looking Flowers Fonts by Sudtipos Lu Nolasco, also known as Lunol, is a fresh representative of a new generation of Souther American lettering artists. She was born in Lima, Peru. After learning from some of the region’s best teachers and exploring the pointed nib on her own, she became a prolific lettering workshop instructor herself. Miraflores is one of Lima’s main tourist attractions. An upscale district with a great window on the Pacific ocean, it is the place where Lu looks for inspiration. It particularly inspired this “Looking flowers” (Miranda las flores), Lunol’s first typeface, designed in collaboration with Ale Paul. It is a comprehensive informal script that comes with many alternates, swashes and ligatures, along with small cap and quite a few ornaments. The fonts c

Download Polyline Fonts by Mårten Nettelbladt

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Designed by Mårten Nettelbladt, Polyline is a novelty font family. This typeface has five styles and was published by Mårten Nettelbladt. Download Polyline Fonts by Mårten Nettelbladt Polyline is based on a small 3x5 grid giving it a rather crude and technical look, further emphasized by the monospacing. Polyline is a command often found in CAD-software to create a series of connected lines. The typeface can also be installed as an AutoCAD .shx font, see separate download along with the .shp source file and the stroke shapes for all characters as .pdf Download Polyline Fonts by Mårten Nettelbladt Download Now View Gallery

Download Stack Fonts by JTD

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Designed by Craig Welsh, Stack is a novelty font family. This typeface has five styles and was published by JTD. Download Stack Fonts by JTD Stack brings the spirit of industrial chimney lettering from the early twentieth century to the digital age. The typeface is designed to work both horizontally and vertically. Additionally, the fonts can work together in myriad chromatic expressions—providing limitless design possibilities. The family is true to the spirit of masonry lettering without being a direct lift of any specific lettering style from the industrial age. Like some of its masonry predecessors Stack is built as a typeface of 15 courses (horizontal rows) of ‘bricks. ’ Based on several years of research a collection of 150+ photographs and roughly two dozen archival engineering drawings were amassed. The value of the historical references is a type family that is a legitimate reflection of masonry lettering styles of the period.