Rachel Blakeney

Designed by Dave Rowland, Aziga is a display sans font published by Schizotype Fonts. Download Aziga Fonts by Schizotype Fonts In a typeface category that has been sorely under-represented until now, Aziga is a high (occasionally reversed) contrast, postmodern, deconstructed-reconstructed, serifless (mostly), fashion didone! Aziga lends itself to being set loud and proud, and the consistent angles throughout the glyphs make it a good candidate for more abstract typographic compositions. For the really graphically inclined (excuse the pun) a rotaion of 66° will make the main diagonals in the font horizontal and vertical. Features include stylistic and contextual alternates, ligatures and case sensitive forms. This is an unusual font, that’s for sure, but give it a try and you’ll be rewarded with layouts that really stand out from the crowd. Download Aziga Fonts by Schizotype Fonts Download Now View Gallery

Designed by Dave Rowland, Revla Slab is a slab serif font family. This typeface has four styles and was published by Schizotype Fonts. Download Revla Slab Fonts by Schizotype Fonts The Revla family just keeps expanding! This is Revla Slab. It has the same exuberant charm as its sibling (Revla Sans and Revla Serif) with a touch more chunk. OpenType contextual alternates make for text that is lively and bouncy, without the monotony of obviously repeating letterforms. It’s shamelessly fun, but pretty serious at the same time. The range of weights can be used to maintain an even colour across different sizes - use lighter weights for bigger sizes and vice versa. OpenType features include automatic fractions, ordinals, contextual alternates (which along with the pseudo-randomness, help maintain a nice tight fit with minimal glyph collisions), standard and discretionary ligatures (OK, only one discretionary ligature, but it’s a belter!), and c

Designed by Dave Rowland, Galix is a sans serif font published by Schizotype Fonts. Download Galix Fonts by Schizotype Fonts In a world where every new release is a thousand font megafamily, it is a particularly (extra)bold move to release a single weight display style. Perhaps. Galix is a super-elliptical, technical sans; futuristic while avoiding the retro appearance so often associated with this genre. It is a font intended for the covers of science fiction novels. You could use it for other things, I suppose. But back to the single style thing… It’s my humble opinion that large type families, especially those “font suites” that are so de rigueur, lead to a staleness in design, where things all start to look a bit samey and the fine art of type pairing is dying. So license Galix, see how it works on its own, paired with contrasting fonts, distorted and experimented with by you, the designer. It might just be the lack of versatility y